◎◎◎113學年度第2學期專題演講◎◎◎

★時間：114年3月20日上午10-12點

★地點：國樂系館2樓206視聽室

歡迎斯沃斯莫爾學院Lei X Ouyang 歐陽小莉副教授來訪。

講者的研究興趣包括中國文化大革命、太鼓打鼓、音樂和交集主題，包括記憶、政治、種族、種族、社會認同和社會正義等。

Topic/Title:

A Legacy of Extremes: Songs and Memories of the Chinese Cultural Revolution 極端的遺產：中國文化大革命的歌曲和記憶

Abstract:

During the Chinese Cultural Revolution (1966-1976), Mao Zedong led the Chinese Communist Party (CCP) to utilize the arts as a “cultural army” in an attempt to transform China into a socialist society. Music as Mao’s Weapon: Remembering the Chinese Cultural Revolution (University of Illinois 2022) provides original fieldwork and ethnographic accounts to reveal how the CCP used the arts as a political weapon during the Cultural Revolution and the impacts that continue to resonate today.

Taking the propaganda song anthology New Songs of the Battlefield [戰地新歌] as its focus, the study untangles interactions between politics, childhood, memory, nostalgia, and trauma through an interdisciplinary conversation with music at the center. The Cultural Revolution is frequently cited as a unique period for its history, politics, and cultural environment. In this presentation I will examine the Cultural Revolution as a sensory environment of historic extremes to consider the long-term impacts of the politicization and weaponization of music.

歡迎大家